Heavy impasto painting of London where the city dissolves into texture. Big Ben rises as a smudged gold-grey tower, while red double-decker buses and black taxis blur into smeared streaks of color across the street. Crowds appear as warm dots, and the buildings melt into muted browns and hazy light.
No sharp edges — just thick, wet-on-wet palette knife strokes that feel like rain on canvas. You sense the rush of London, but the paint moves first.