In Fragments of the Self, overlapping faces emerge from a mosaic of color and form, each plane revealing a different emotional layer of the human experience. Through the interplay of bold geometric divisions and rich, textured brushwork, the painting explores how identity is never singular - but a collection of shifting perspectives.
Cool tones of blue and teal suggest introspection and calm, while warm yellows and reds pulse with vitality and conflict. The fractured forms echo the complexity of thought and emotion, inviting the viewer to contemplate the multiplicity within every person.
This work stands at the intersection of modern abstraction and psychological realism, using color and composition not just to depict faces, but to reflect the fragmented beauty of the human condition.